Who is, or has been, the biggest influence on your art?
It was the black and white paintings of Franz Kline that made me see that a slash of paint could capture movement, emotional intensity and suggest an idea in a thrilling way. Richard Diebenkorn showed me how to carve space in a logical way while keeping the unexpected and half hidden moments.
What inspired you to study to become an artist?
Growing up we had art books in the house. One book had a picture of Zeus in the form of a cloud embracing a priestess named Io. I found this endlessly fascinating. I also took drawing classes at the Art Students League, where I was introduced to the idea that I could have my own point of view.
How long have you been working with your medium?
I started oil painting in high school, but it wasn’t until much later that I got down to working with it on a regular basis. In 2005, I departed from representational landscapes and started to explore more mediums, which helped me to expand my language. I still paint with oils because I love everything about them, but using other materials allows me different freedoms.
What is your creative process like?
I always seem to start with some aspect of the landscape or architectural element. These are anchors or touchstones for me. Sometimes, I start by thinking about color, or I think about an intention that can be gleaned through further inspection. I follow my personal logic and emotional relationship to what I’m working on. I try not to think too much though, and let the elements come together the way they need to. I do try to challenge myself to take risks and not be afraid to go further.
How has your practice changed over time?
My work has become less literal. I keep going for the essence of what I’m trying to communicate on the surface and at the same time there’s a bigger sense of play and expansiveness in it for me.
What part of creating art brings you the most enjoyment?
Bringing a work to its best conclusion, to solve the problems in maybe a new way, and to feel very connected to the work.
Of all your travels, which city or place inspires you the most? Why?
Most cities and landscapes appeal to me because they have atmospheres, and living things and people inhabit these environments and so contribute to these atmospheres.
What is something quirky or unexpected about you that most people don’t know?
I have read “Middlemarch”.
